Films: Spring 2026

A black-and-white photograph shows two people indoors against a textured backdrop. One stands barefoot on a woven mat wearing a patterned dress, while the other leans slightly toward them with one arm raised, dressed in a short-sleeved shirt and trousers.
Players in white USA hockey jerseys cheer from the bench as fans erupt behind them. A man in a tan jacket and tie raises his fists in celebration. The scene captures a moment of triumph and national pride during an intense game.

Miracle

Showtimes:

A person with wide eyes and slightly open mouth hold their hands on either side of their face against a dark background.
A person in a fluffy white coat holds a smartphone to their ear, appearing serious. Behind them, surfboards lean against a white brick wall and a colorful mural of a van with tropical flowers reads “SURFING NOT ALONE.”
Inside a darkened movie theater, audience members watch a film showing an upside-down image of the Statue of Liberty’s torch and crown.

Mystery Screening!

Showtimes:

A person stands in front of a wall of old CRT monitors, each displaying a solid blue screen. They wear elaborate accessories made from electronic components, with coils in their hair and circuit boards on their clothing. The background is filled with wire

Neptune Frost

Showtimes:

A group of people stands on a rocky mountain summit, taking photos and selfies. Behind them, lush green peaks stretch under a partly cloudy sky.

Onlookers with filmmaker Kimi Takesue

Showtimes:

A busy shopping mall features retail stores like H&M and John Lewis, with crowds walking and dining. Bold neon slogans—“WAR IS PEACE,” “FREEDOM IS SLAVERY,” and “IGNORANCE IS STRENGTH”—are prominently displayed, evoking Orwellian themes amid the consumeri

Orwell: 2+2=5

Showtimes:

A group of people dressed in carnival-esque costumes standing in the middle of a city street.
Courtesy of Grasshopper Films.

Pictures of Ghosts

Showtimes:

An aerial view of a shallow coral reef shows a small red and blue boat anchored amid turquoise waters. Light sandy patches and darker coral formations create intricate patterns, highlighting the reef’s natural beauty and depth variations.

Possible Landscapes

Showtimes:

A person with long white hair sits in bed holding a document under a magnifying lamp

Pure Blood (Pura sangre)

Showtimes:

An elderly man with a white beard and intense expression wears a white robe with gold patterns and a black hat trimmed in white. He stands before a large banner featuring a yellow and black sunburst design, evoking a theatrical or historical Japanese sett

Ran

Showtimes:

A boy running alone on a dusty desert road.
Two woman sitting at a sunny cafe table.

Reverse Anthropology

Showtimes:

Two children sit in a dimly lit space. One holds a small light source that illuminates their face, while the other holds a portable radio with a digital display. The background is dark blue, suggesting a nighttime or off-grid setting.

Rising Up at Night (Tongo Saa)

Showtimes:

Five young people stand indoors behind a table displaying a robotic arm mounted on a wheeled base. Four women and one man wear traditional attire with headscarves and warm clothing. The background includes workshop items like an anvil, tires, and mechanic
A man in a cable-knit sweater holds up a glass of white wine outdoors near a stone structure.
A person is seated at a workbench operating a reel-to-reel tape recorder and other audio equipment in a workshop setting. The table is filled with electronic devices, and shelves with additional equipment are visible in the background.
A person in a red space suit walks through a brightly lit, hexagonal corridor with futuristic design.
A woman with long hair and braids is dancing with her hands near her face. Her movements are being mirrored by another woman.

Scientific Cinema

Showtimes:

A monochrome image of an older man wearing a cowboy hat and white t-shirt holding a chubby baby.
A flock of birds flying against a stormy sky.

Sensory Ethnography

Showtimes:

A close-up of a bison’s head highlights its dark, curly fur and reflective eye. The dramatic lighting emphasizes the texture and majesty of the animal, creating an intimate and powerful portrait.

Singing Back the Buffalo

Showtimes:

Four people and a dog gather in a desert landscape. Three sit on the ground or on bags—one in a red and black patterned outfit, one in a black shirt, and one shirtless with tattoos and colorful pants. A fourth person stands nearby in a blue shirt and jeans. Backpacks and gear surround them, and the clear sky emphasizes the stark, sandy terrain.

Sirat [CANCELLED]

Showtimes:

Three people stand outdoors near a metal fence, dressed in jackets and sweaters. One wears a red jacket, another has curly hair and a light hoodie, and the third wears a green jacket over a yellow turtleneck. Their serious expressions suggest a moment of

Sisterhood (HLM Pussy)

Showtimes:

A black-and-white photo shows three formally dressed individuals seated in the back of a car at night. Two men wear suits and ties, and a woman in a strapless dress and sunglasses sits between them.

Soundtrack to a Coup d'Etat

Showtimes:

A person in a green hat and purple shirt holds a microphone in front of rusted metal barrels and debris.

Teenage Wasteland

Showtimes:

A person sits at a desk with a laptop, covering their face with both hands in a gesture of stress or fatigue. The laptop has a sticker resembling the Belarus flag and rests on a black carrying case. Nearby are a glass of water, a red notebook, and scatter

The Accidental President

Showtimes:

Two people are standing outdoors near a vintage car, with one person wearing a bright red coat and hat while holding hands with another person in a dark vest and white shirt.

The Godfather

Showtimes:

A group of people dressed in formal attire and uniforms are gathered closely together, with some raising their hands as if in greeting or acknowledgment. The scene appears to be part of an official or ceremonial event.

The Godfather Part II

Showtimes:

A person wearing a striped shirt gently touches the face of another person dressed in a military uniform during an outdoor gathering. People and small flags are visible in the background under a clear sky.

The Inspection

Showtimes:

A person lies in a hospital bed being attended to by another individual; the dimly lit medical facility has green metal bed frames and curtains
A person stands with arms slightly outstretched in front of a large fire burning hay bales at night. The flames and smoke illuminate the dark surroundings, creating a dramatic silhouette effect.

The Outrun

Showtimes:

A man with a beard wearing a blue shirt leaning with one hand against a pole at what looks like a gas station. There is a yellow car to his right and it appears to be an arrid climate.

The Secret Agent

Showtimes:

A dimly lit room shows a figure wrapped in dark, shiny material standing near a wall, while a computer monitor on a desk displays an image of a patterned garment. Clipboards are mounted on the wall to the left, and the setting appears industrial or office

The Shrouds

Showtimes:

Three people wearing elegant white dresses stand on a stage with falling snow, while two hold parasols. The central figure is dressed in a detailed bridal gown, creating a dramatic winter-themed scene.

The World

Showtimes:

A female figure lays across the hood of a Cadillac which has flames painted on the hood. Several onlookers appear in the background.
A sparkling shower of spiral fireworks against a night sky.

Tomonari Nishikawa

Showtimes:

Two individuals wearing military uniforms stand indoors in front of horizontal window blinds. One uniform displays a name tag, insignia, and colorful ribbons.

Top Gun

Showtimes:

A person is seated in a futuristic chair with two large mechanical devices positioned on either side of the head, inside a high-tech environment with illuminated panels and machinery.

Total Recall

Showtimes:

Top