Possible Landscapes

An aerial image of a boat in the ocean at the coast of an island.
Still from "Possible Landscapes" (2024)

Please join us for the debut test screening of POSSIBLE LANDSCAPES, a documentary film directed by Kannan Arunasalam and produced and conceptualized by Tao DuFour and Natalie Melas.

"For no one had yet written of this landscape
that it was possible."
- Derek Walcott

Possible Landscapes joins seven people in seven different regions of the Caribbean islands of Trinidad and Tobago in the course of their daily lives:  Kevin, a fisherman on the east coast suffering the recent loss of one of his crew members at sea; four generations of the Josephs family in the steep hillsides of the northern range; Captain ‘Spaceman’ Philips and his glass-bottomed boat in Tobago from which he has witnessed the decline of the coral reefs; Crystal, a trade unionist active in supporting workers who lost their jobs when a major oil refinery was closed; Romulas, known as the “last sugar cane farmer” in the central plains and his Venezuelan workers;  Stephanie a nurse who worked in the oil fields in the south starting just after World War II; Tony, originally from Jamaica, a climate change analyst, agriculturalist and rabbit farmer in St Joseph.

A collaboration between a documentary filmmaker, Kannan Arunasalam and two professors, Tao DuFour (Architecture) a spatial theorist and Natalie Melas (Comparative Literature) a postcolonial comparatist and scholar of Caribbean thought, Possible Landscapes is the outcome of the team research project, “Possible Landscapes: Documenting Environmental Experience in Trinidad and Tobago,” funded through a grant from Cornell University’s Migrations: A Global Grand Challenge and the Mellon Just Futures Initiative.

The Possible Landscapes research project set out to develop methods of field research and representation in documentary film that foreground intergenerational lived experience of landscapes and environments in the Caribbean islands of Trinidad and Tobago, and to query the formation of environmental and climate imaginaries, with a view to getting at larger historical questions—of migration, plantation societies, extractivism, race, and the legacies of colonialism—that inform everyday practices in ways that are difficult to identify and to articulate, because they are concretely lived.

Free admission. Co-sponsored by the College of Arts and Sciences Dean’s Office, the Society for the Humanities, Africana Studies and Research Center, Department of Architecture, Department of Comparative Literature, Environment and Sustainability, Department of Literatures in English, Institute for Comparative Modernities, Latin American and Caribbean Studies, and Department of Romance Studies.

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