Xiao Wu / Pickpocket

A grouchy looking man wearing a gray suit and glasses stands with his arms crossed in front of a well-stocked fruit stand in a city.

One of cinema’s great debuts, this film by the generation-defining Chinese auteur Jia Zhangke is a searing first expression of his signature theme: the disillusionment of people left behind by a society modernizing at whiplash speed. 

Shot on 16 mm with nonprofessional actors and without state approval, Xiao Wu (also known in English as Pickpocket ) enfolds its critique within a subtly ironic study of a cocky, aimless pickpocket (Wang Hongwei) who, as those around him advance thanks to the opportunities of the new market economy, finds himself increasingly alienated. A budding relationship with a brothel worker (Hao Hongjian) seems to offer him a sense of meaning—but is it as illusory as the promises of capitalism? 

Already a master of the slow-burn long takes, minimalist framing, and meaningful silences that would become his trademarks, Jia fashions a quietly shattering portrait of humanity caught in the jaws of globalization.

In Mandarin with English subtitles. Part of our "Wayfaring Strangers" series. Courtesy: Janus Films

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