With a stunning mix of the surreal and the naturalistic, Djibril Diop Mambéty paints a vivid, fractured portrait of Senegal in the early 1970s. In this French New Wave–influenced fantasy-drama, two young lovers long to leave Dakar for the glamour and comforts of France, but their escape plan is beset by complications both concrete and mystical. Characterized by dazzling imagery and music, the alternately manic and meditative Touki Bouki is widely considered one of the most important African films ever made.
“One of the most confident debut films ever made.” (rogerebert.com)
“Touki Bouki is a formally adventurous take-down of the futile dreams of wealth and refinement that French colonialism never tired of imposing on the populations of its outre-merterritories. Through associative montage, layered narrative temporalities, and a thoroughly liberated use of sound, Mambéty has crafted an enigmatic yet jaunty picaresque that takes us from the slums around Dakar to its European-capital-simulating center.” (Screen Slate)