A frightened woman presses herself against the wall of a dim room. Bright daylight enters through two windows while she reaches outward with both arms.

Under the Shadow

Showtimes:

Two people lie on a grassy roadside beside an overturned car. The gray vehicle rests upside down near a foggy highway.

Crash

Showtimes:

A four-panel black-and-white composition shows shadowy scenes inside a house. Silhouetted figures, angular rooms, and dramatic lighting create an ominous atmosphere.

The Night of the Hunter

Showtimes:

A woman lies or crouches amid glittering debris on a stage-like surface while a large glossy black sphere dominates the foreground. Red and purple lighting gives the scene a surreal appearance.

Carrie

Showtimes:

A black-and-white scene shows a shirtless man holding a torch while several people stand behind him in dense vegetation. A pale, skull-like face or mask appears among the group.

Black Zombie

Showtimes:

A figure in a black hood and the elongated white Ghostface mask fills the frame. The tilted composition places the masked face against a dim interior background.

Scream

Showtimes:

Students crowd a school hallway wearing uniforms and carrying backpacks. Several young women stand near the center as other students move around them.

The Craft

Showtimes:

Two people lie on a grassy roadside beside an overturned car. The gray vehicle rests upside down near a foggy highway.

Crash

Showtimes:

A grainy black-and-white silent-film still shows several people in traditional Japanese clothing gathered around a central figure. Some faces appear obscured or theatrically masked.

A Page of Madness

Showtimes:

A man wearing a cap and glasses stands near water, seen from behind as he holds a cane or long object. The distant shoreline and buildings are softly blurred in bright daylight.

Unseen

Showtimes:

A multidimensional image featuring a forest landscape covered by a purple spiral with a human bone at the center.

Aanikoobijigan [ancestor/great-grandparent/great-grandchild]

Showtimes:

Three young people ride in a red convertible on a sunny road. The driver and front passenger wear sunglasses while the passenger in back raises both arms.

Ferris Bueller's Day Off

Showtimes:

A figure in a black hood and the elongated white Ghostface mask fills the frame. The tilted composition places the masked face against a dim interior background.

Scream

Showtimes:

Layers of weathered posters and torn paper cover a textured wall. Black-and-white faces, fragments of text, and a bright strip of green paper create a collage-like composition.

The Vanishing

Showtimes:

A high-contrast black-and-white image shows an older bearded man with another figure leaning over his shoulder. The second figure wears an unsettling grin in the surrounding darkness.

FAUST at Sage Chapel – Live Score by Invincible Czars!

Showtimes:

Layers of weathered posters and torn paper cover a textured wall. Black-and-white faces, fragments of text, and a bright strip of green paper create a collage-like composition.

The Vanishing

Showtimes:

A black-and-white comedic laboratory scene shows a disheveled man slumped over a body, while two other people stand beside him. Mechanical equipment and stone walls surround the group.

Young Frankenstein

Showtimes:

A man sits in darkness with his hand against his face while projected social-media comments surround him. Insults and other online messages appear across the background.

Everyone Is Lying to You for Money

Showtimes:

A group of men in historical Middle Eastern clothing gather inside an ornate interior with carved architectural details. Several men face a figure in the foreground whose back is toward the viewer.

Destiny

Showtimes:

A black-and-white film still shows two people seated closely together at a table in a shadowy interior. One looks intently forward while the other turns toward them.

Malombra - Live Score by Donald Sosin and Joanna Seaton!

Showtimes:

Five teenagers sit in a loose circle on the floor of a large school library. Bookshelves, tables, and an upper-level balcony fill the background.

The Breakfast Club

Showtimes:

A man in a white undershirt sits on the floor of a sparsely furnished room beside a large opening in the floor. A beverage can and scattered household objects are nearby.

The Hole

Showtimes:

A woman presses her hand against a pane of glass in a warmly lit interior. Her face and hand are reflected in the glass, creating a layered, dreamlike image.

The Double Life of Véronique

Showtimes:

A woman in a light dress stands with her arms raised in a luminous, fantastical forest. Bright blue flowers and glowing vegetation surround her beneath sprawling green trees.

Mavka: The Forest Song

Showtimes:

A man in a white undershirt sits on the floor of a sparsely furnished room beside a large opening in the floor. A beverage can and scattered household objects are nearby.

The Hole

Showtimes:

A black-and-white comedic laboratory scene shows a disheveled man slumped over a body, while two other people stand beside him. Mechanical equipment and stone walls surround the group.

Young Frankenstein

Showtimes:

A woman presses her hand against a pane of glass in a warmly lit interior. Her face and hand are reflected in the glass, creating a layered, dreamlike image.

The Double Life of Véronique

Showtimes:

A black-and-white scene shows a shirtless man holding a torch while several people stand behind him in dense vegetation. A pale, skull-like face or mask appears among the group.

Black Zombie

Showtimes:

A man in a dark coat walks across a strange landscape of rolling, sand-like mounds inside a vast ruined structure. Other figures stand in the distance amid dark columns and walls.

Stalker

Showtimes:

A man looks forward with a tense expression in a blue-lit laboratory or industrial setting. Metallic equipment and glass structures blur in the background.

Terminator 2: Judgment Day

Showtimes:

Two side-by-side portrait photographs show the same short-haired woman against a warm wooden background. In one she looks toward the camera, and in the other she turns her gaze to the side.

Barbara Forever

Showtimes:

Several people seen from behind watch a procession moving through a rugged valley. A white rectangular structure is visible in the center of the distant group.

Our Land (Nuestra Tierra)

Showtimes:

A close up image of a lemon tree, partially shadowed by the figure holding the camera.

Poetics of Life and Death: Short Films from Syria, Lebanon, and Palestine

Showtimes:

A man in a dark coat walks across a strange landscape of rolling, sand-like mounds inside a vast ruined structure. Other figures stand in the distance amid dark columns and walls.

Stalker

Showtimes:

An orange-and-white cat sits on a bed facing a television with a bright green screen. The room has teal walls, a white media cabinet, and small household objects around the TV.

CatVideoFest 2026

Showtimes:

A man looks forward with a tense expression in a blue-lit laboratory or industrial setting. Metallic equipment and glass structures blur in the background.

Terminator 2: Judgment Day

Showtimes:

An orange-and-white cat sits on a bed facing a television with a bright green screen. The room has teal walls, a white media cabinet, and small household objects around the TV.

CatVideoFest 2026

Showtimes:

Four young men stand together in a busy school setting. They wear casual clothing and appear relaxed, with other students visible behind them.

Better Luck Tomorrow

Showtimes:

A young man in a bright blue shirt plays a wind instrument while walking toward the camera. A lively crowd behind him raises their arms in an outdoor setting.

Levitating

Showtimes:

A person stands on a hillside overlooking a densely packed area filled with parked or abandoned vehicles. Buildings and city lights rise beyond the sprawling lot.

The Dog Thief (El Ladrón de Perros)

Showtimes:

A young woman stands in profile before a tiled wall featuring a large turquoise circle. Columns and geometric patterns frame the quiet architectural scene.

Lost Chapters (Los capítulos perdidos)

Showtimes:

A black-and-white photograph shows the exterior of a cinema covered with large illustrated movie posters and signs. Several people stand beneath the crowded display.

Cinema Pe Cinema: The Theatres. The Movies. And Us

Showtimes:

A large upright book stands against a blue background, casting a long shadow. Text on the cover reads, “America’s war on books is more than a war on words.”

The Librarians

Showtimes:

A young man in a bright blue shirt plays a wind instrument while walking toward the camera. A lively crowd behind him raises their arms in an outdoor setting.

Levitating

Showtimes:

Two side-by-side portrait photographs show the same short-haired woman against a warm wooden background. In one she looks toward the camera, and in the other she turns her gaze to the side.

Barbara Forever

Showtimes:

A solitary person stands inside a large, dim, circular modernist interior. Broad stairways and tiered architectural forms dominate the cavernous space.

Filipiñana

Showtimes:

A woman talking on the phone at a desk inside a shadowy library looks over her shoulder with an uneasy expression on her face.

Chronovisor

Showtimes:

A black-and-white close-up shows a woman looking toward the camera while a man sits slightly behind her with his head lowered. The outdoor background is softly out of focus.

L'Eclisse

Showtimes:

A grid of six different film stills from this year' Sundance Short Film Tour.

2026 Sundance Film Festival Short Film Tour

Showtimes:

Four young men stand together in a busy school setting. They wear casual clothing and appear relaxed, with other students visible behind them.

Better Luck Tomorrow

Showtimes:

Top