- The Silence Before
Bach (Spain)
Sept 4, 6 & 9 - My Winnipeg (Canada)
Sept 5 - 7 - Reprise (Norway)
Sept 10, 13, 14 & 16 - XXY (Argentina)
Sept 12, 14 & 15 - La France (France)
Sept 26, 28 & 30 - The Mother of Tears (Italy)
Oct 3, 4 & 6
Cornell Cinema is Ithaca's year-round international film festival, showing a remarkable selection of Ithaca premieres from around the world. In this calendar, we feature six great new works:
legendary
Spanish Surrealist Pere Portabella's newest and arguably greatest film,
The Silence Before Bach is a series of vignettes that
show the transformational power of great music and the magic of the
moving image. Portabella notoriously refuses to allow his work to be
released for home video, so this short run is likely the only chance
to catch this!
hailing from the Great White North, iconoclastic Canadian filmmaker Guy Maddin describes his latest film My Winnipeg as a "docu-fantasia" about his hometown, blending local and personal history with surreal images and metaphorical myths to create a truly unique cinematic experience;
the Norwegian feature
Reprise follows two aspiring writers as one's success
begins to overshadow the other's and their friendship begins to suffer;
deeper questions of identity
concern XXY, an Argentinean film about a 15-year-old
hermaphrodite living as a girl in a costal Uruguayan village, painfully
searching for her gender identity;
a genre-bending
French film is next, the fairy-tale-like La France,
in which a woman disguises herself as a young man and heads to the WWI
front line in search of her husband. Described as "Bresson meets the
Beatles" by Variety, the film periodically breaks into surprising
musical numbers. Ithaca is one of only nine tour stops for the film
in the States!
and lastly,
we invite sophisticated fans of the sick and twisted to screenings of
Italian Master of Horror Dario Argento's latest creepfest, The
Mother of Tears. His trademark arthouse-meets-grand-guignol
style is in full effect with sadistic eviscerations, gruesome impalements,
and gleefully stylish red, red blood at every turn. Even though the
film hails from Italy, it is in English.