L’Inhumaine

  • Thur Nov 3
    7:00
L’Inhumaine

with a live score performed by the Alloy Orchestra
$12/$10 students & seniors – advance tickets at CornellCinemaTickets.com

director:
Marcel L'Herbier
cast:
Georgette Leblanc, Jacque Catelain

Released to intense controversy in 1924 for its cinematic and technical innovations, L’Inhumaine (The Inhuman Woman) is a visual tour-de-force; a fantastical, science-fiction melodrama; and a momentous collaboration of legendary figures from the avant-garde movement. Directed by Marcel L’Herbier (L’Argent, Feu Mathias Pascal) and starring the famous French opera singer Georgette Leblanc – who helped produce the film along with L’Herbier’s company, Cinégraphic – L’Inhumaine is most notable for the style of filmmaking. In L’Herbier’s words, it represents a “miscellany of modern art,” bringing together some of the greatest artists from the time period, including painter Fernand Léger, architect Robert Mallet-Stevens, glassmaker René Lalique, fashion designer Paul Poiret, and directors Alberto Cavalcanti and Claude Autant-Lara, among others, to create a collaborative cinematic experience.

Leblanc plays the “Inhuman Woman” of the title, Claire Lescot, who lives on the outskirts of Paris, where she draws important men to her like moths to a flame. At her luxurious parties, she basks in the amorous attentions of her many admirers while always remaining aloof. When it appears she is the reason for a young devotee’s suicide, however, her fans desert her.

The filming of the concert where she’s raucously booed is a renowned piece of cinema history: L’Herbier invited more than 2,000 people from the arts and fashionable society to attend the Théâtre des Champs-Élysées and play the part of the unruly audience. Among the attendees were Pablo Picasso, Man Ray, Erik Satie, René Clair, James Joyce, and Ezra Pound (although none are actually visible).

For this brand-new restoration, Lobster Films—with the support of Marie-Ange L’Herbier (the director’s daughter), the French CNC, SACEM and Maison Hermès—utilized the original nitrate negative, scanned at a pristine 4K resolution, and restored the original tints for the first time since the film’s release.

Cosponsored with the Cornell Council for the Arts, College of AAP, Dept of Music, Dept of Performing and Media Arts, Institute for German Cultural Studies, Dept of German Studies and the Wharton Studio Museum.

website: flickeralley.com

New Digital Restoration
format
BluRay
runtime
2 hours 2 minutes
release year/country
1924 France
subtitled